Chapter 7
I
We'd better have the Yard in on it, is that what you think, Bacon?
The Chief Constable looked inquiringly at Inspector Bacon. The inspector
was a big solid man - his expression was that of one utterly disgusted with
humanity.
"The woman wasn't local, sir," he said. "there's some reason to believe -
from her underclothing - that she might have been a foreigner. Of course,"
added Inspector Bacon hastily, "I'm not letting on about that yet awhile.
We're keeping it up our sleeves until after the inquest."
The Chief Constable nodded.
"The inquest will be purely formal, I suppose?"
"Yes, sir. I've seen the Coroner."
"And it's fixed for – when?"
"To-morrow. I understand the other members of the Crackenthorpe family will
be here for it. There's just a chance one of them might be able to identify
her. They'll all be here."
He consulted a list he held in his hand.
"Harold Crackenthorpe, he's something in the City - quite an important
figure, I understand. Alfred - don't quite know what he does. Cedric -
that's the one who lives abroad. Paints!" The inspector invested the word
with its full quota of sinister significance. The Chief Constable smiled
into his moustache.
"No reason, is there, to believe the Crackenthorpe family are connected
with the crime in any way?" he asked.
"Not apart from the fact that the body was found on the premises," said
Inspector Bacon. "And of course it's just possible that this artist member
of the family might be able to identify her. What beats me is this
extraordinary rigmarole about the train."
"Ah, yes. You've been to see this old lady, this - er –” (he glanced at
the memorandum lying on his desk) "Miss Marple?"
"Yes, sir. And she's quite set and definite about the whole thing. Whether
she's barmy or not, I don't know, but she sticks to her story – about what
her friend saw and all the rest of it. As far as all that goes, I dare say
it's just make-believe – sort of thing old ladies do make up, like seeing
flying saucers at the bottom of the garden, and Russian agents in the
lending library. But it seems quite clear that she did engage this young
woman. The lady help, and told her to look for a body – which the girl
did."
"And found one," observed the Chief Constable. "Well, it's all a very
remarkable story. Marple, Miss Jane Marple - the name seems familiar
somehow…. Anyway, I'll get on to the Yard. I think you're right about its
not being a local case - though we won't advertise the fact just yet. For
the moment we'll tell the Press as little as possible."
II
The inquest was a purely formal affair. No one came forward to identify the
dead woman. Lucy was called to give evidence of finding the body and
medical evidence was given as to the cause of death - strangulation. The
proceedings were then adjourned.
It was a cold blustery day when the Crackenthorpe family came out of the
hall where the inquest had been held. There were five of them all told,
Emma, Cedric, Harold, Alfred, and Bryan Eastley, the husband of the dead
daughter Edith. There was also Mr. Wimborne, the senior partner of the firm
of solicitors who dealt with the Crackenthorpes' legal affairs. He had come
down specially from London at great inconvenience to attend the inquest.
They all stood for a moment on the pavement, shivering. Quite a crowd had
assembled; the piquant details of the "Body in the Sarcophagus" had been
fully reported in both the London and the local Press.
A murmur went round: "That's them…."
Emma said sharply: "Let's get away."
The big hired Daimler drew up to the kerb. Emma got in and motioned to
Lucy. Mr. Wimborne, Cedric and Harold followed. Bryan Eastley said: “I'll
take Alfred with me in my little bus." The chauffeur shut the door and the
Daimler prepared to roll away.
"Oh, stop!" cried Emma. "There are the boys!"
The boys, in spite of aggrieved protests, had been left behind at
Rutherford Hall, but they now appeared grinning from ear to ear.
"We came on our bicycles," said Stoddart-West. "The policeman was very kind
and let us in at the back of the hall. I hope you don't mind, Miss
Crackenthorpe," he added politely.
"She doesn't mind," said Cedric, answering for his sister. "You're only
young once. Your first inquest, I expect?"
"It was rather disappointing," said Alexander. "All over so soon."
"We can't stay here talking," said Harold irritably. "there's quite a
crowd. And all those men with cameras."
At a sign from him, the chauffeur pulled away from the kerb. The boys waved
cheerfully.
"All over so soon!" said Cedric. "That's what they think, the young
innocents! It's just beginning."
"It's all very unfortunate. Most unfortunate," said Harold. "I suppose –"
He looked at Mr. Wimborne who compressed his thin lips and shook his head
with distaste.
"I hope," he said sententiously, "that the whole matter will soon be
cleared up satisfactorily. The police are very efficient. However, the
whole thing, as Harold says, has been most unfortunate."
He looked, as he spoke, at Lucy, and there was distinct disapproval in his
glance. "If it had not been for this young woman," his eyes seemed to say,
“poking about where she had no business to be - none of this would have
happened."
This sentiment, or one closely resembling it, was voiced by Harold
Crackenthorpe.
"By the way - er – Miss - er - er – Eyelesbarrow, just what made you go
looking in that sarcophagus?"
Lucy had already wondered just when this thought would occur to one of the
family. She had known that the police would ask it first thing: what
surprised her was that it seemed to have occurred to no one else until this
moment.
Cedric, Emma, Harold and Mr. Wimborne all looked at her.
Her reply, for what it was worth, had naturally been prepared for some
time.
"Really," she said in a hesitating voice, "I hardly know… I did feel that
the whole place needed a thorough clearing out and cleaning. And there was"
– she hesitated – “a very peculiar and disagreeable smell…."
She had counted accurately on the immediate shrinking of everyone from the
unpleasantness of this idea….
Mr. Wimborne murmured: "Yes, yes, of course… about three weeks the police
surgeon said… I think, you know, we must all try and not let our minds
dwell on this thing." He smiled encouragingly at Emma who had turned very
pale. "Remember," he said, “this wretched young woman was nothing to do
with any of us."
"Ah, but you can't be so sure of that, can you?" said Cedric.
Lucy Eyelesbarrow looked at him with some interest. She had already been
intrigued by the rather startling differences between the three brothers.
Cedric was a big man with a weather-beaten rugged face, unkempt dark hair
and a jocund manner. He had arrived from the airport unshaven, was still
wearing the clothes in which he had arrived and which seemed to be the only
ones he had; old grey flannel trousers, and a patched and rather threadbare
baggy jacket. He looked the stage Bohemian to the life and proud of it.
His brother Harold, on the contrary, was the perfect picture of a City
gentleman and a director of important companies. He was tall with a neat
erect carriage, had dark hair going slightly bald on the temples, a small
black moustache, and was impeccably dressed in a dark well-cut suit and a
pearl-grey tie. He looked what he was, a shrewd and successful business
man.
He now said stiffly:
"Really, Cedric, that seems a most uncalled for remark."
"Don't see why? She was in our barn after all. What did she come there
for?"
Mr. Wimborne coughed, and said:
"Possibly some - er – assignation. I understand that it was a matter of
local knowledge that the key was kept outside on a nail."
His tone indicated outrage at the carelessness of such procedure. So
clearly marked was this that Emma spoke apologetically.
"It started during the war. For the A.R.P. wardens. There was a little
spirit stove and they made themselves hot cocoa. And afterwards, since
there was really nothing there anybody could have wanted to take, we went
on leaving the key hanging up. It was convenient for the Women's Institute
people. If we'd kept it in the house it might have been awkward - when
there was no one at home to give it them when they wanted it to get the
place ready. With only daily women and no resident servants…."
Her voice tailed away. She had spoken mechanically, giving a wordy
explanation without interest, as though her mind was elsewhere.
Cedric gave her a quick puzzled glance.
"You're worried, sis. What's up?"
Harold spoke with exasperation:
"Really, Cedric, can you ask?"
"Yes, I do ask. Granted a strange young woman has got herself killed in the
barn at Rutherford Hall (sounds like a Victorian melodrama) and granted it
gave Emma a shock at the time - but Emma's always been a sensible girl - I
don't see why she goes on being worried now. Dash it, one get used to
everything."
"Murder takes a little more getting used to by some people than it may in
your case," said Harold acidly. "I dare say murders are two a penny in
Majorca and –“
"Iviza, not Majorca."
"It's the same thing."
"Not at all - it's quite a different island."
Harold went on talking:
"My point is that though murder may be an everyday commonplace to you,
living amongst hot-blooded Latin people, nevertheless in England we take
such things seriously." He added with increasing irritation, "And really,
Cedric, to appear at a public inquest in those clothes –"
"What's wrong with my clothes? They're comfortable."
"They're unsuitable."
"Well, anyway, they're the only clothes I've got with me. I didn't pack my
wardrobe trunk when I came rushing home to stand in with the family over
this business. I'm a painter and painters like to be comfortable in their
clothes."
"So you're still trying to paint?"
"Look here, Harold, when you say trying to paint –"
Mr. Wimborne cleared his throat in an authoritative manner.
"This discussion is unprofitable," he said reprovingly. "I hope, my dear
Emma, that you will tell me if there is any further way in which I can be
of service to you before I returned to town?"
The reproof had its effect. Emma Crackenthorpe said quickly:
"It was mot kind of you to come down."
"Not at all. It was advisable that someone should be at the inquest to
watch the proceedings on behalf of the family. I have arranged for an
interview with the inspector at the house. I have no doubt that,
distressing as all this has been, the situation will soon be clarified. In
my own mind, there seems little doubt as to what occurred. As Emma has told
us, the key of the Long Barn was known locally to hang outside the door. It
seems highly probable that the place was used in the winter months as a
place of assignation by local couples. No doubt there was a quarrel and
some young man lost control of himself. Horrified at what he had done, his
eye lit on the sarcophagus and he realised that it would make an excellent
place of concealment."
Lucy thought to herself, “Yes, it sounds most plausible. That's just what
one might think."
Cedric said, "You say a local couple - but nobody's been able to identify
the girl locally."
"It's early days yet. No doubt we shall get an identification before long.
And it is possible, of course, that the man in question was a local
resident, but that the girl came from elsewhere, perhaps from some other
part of Brackhampton. Brackhampton's a big place - it's grown enormously in
the last twenty years."
"If I were a girl coming to meet my young man, I'd not stand for being
taken to a freezing cold barn miles from anywhere," Cedric objected. "I'd
stand out for a nice bit of cuddle in the cinema, wouldn't you, Miss
Eyelesbarrow?"
"Do we need to go into all this?" Harold demanded plaintively.
And with the voicing of the question the car drew up before the front door
of Rutherford Hall and they all got out.
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